![]() ![]() By finding a new job at a competing ad agency that offers her more money, she insists on her literal and metaphorical worth as an employee, even if it means abandoning Don to his self-destruction. Peggy, frustrated by her subordinacy to Don in light of his callous treatment of her, finally takes her fate into her own hands. RELATED: 7 Shows Like ‘The Morning Show’ to Watch for More Addictive, Thought-Provoking DramaĬonstantly at the whims of their male superiors’ toxicity and ambition, both Peggy and her older counterpart, Joan, endure unique professional humiliation –– and success, though at a tremendous cost –– in this episode. Their sense of alienation and loneliness means that work is often their only solace. The episode’s emotional intimacy highlights the pair’s unbreakable bond and commitment to work even amid their increasingly messy –– and often disappointing –– personal lives. When Don later learns that his dear friend Anna Draper ( Melinda Page Hamilton) has died, Peggy reassures him. Later, exhausted, they discuss Peggy’s pregnancy –– Don was the only person to visit her in the hospital after the child’s traumatic birth –– and address the common misconception that she and Don are romantically involved. But after the appearance of Peggy’s drunk ex-boyfriend, Duck Phillips ( Mark Moses), they have more important things to worry about. Deciding to work on a frustrating ad campaign rather than attend her birthday dinner with her childish boyfriend, Peggy expresses her anger at Don’s lack of appreciation for her efforts, and the pair argue over whether he’s been sufficiently supportive. This suitably wacky and heartfelt episode again highlights the remarkable nature of Don and Peggy’s relationship. Crucially, Peggy doesn’t want to be with Don she wants to be him. Weiner’s admirable decision to avoid a clichéd employer-employee love story places Mad Men a cut above the less clear-eyed workplace dramas that began to dominate television in the early 2010s. Their shared desire for personal and professional success, juxtaposed with their alienating social reality, is what binds them together throughout the series and eliminates the possibility of romance. More importantly, both are outsiders in some way or another.ĭon grew up poor and stole another man’s identity, while Peggy is female and Catholic in a WASP-y male world that often rejects her. The episode evokes not only the incipient instability and upheaval of the 60s but the strength of Don and Peggy’s platonic working relationship. However, referencing her brilliance as an employee and their shared sense of cynicism after catastrophic current events, Don persuades her to follow him. Kennedy, initially refuses to join her boss in forming a new company. Peggy, feeling increasingly alienated by Don’s erratic behavior in the midst of his disintegrating personal life and the shocking assassination of President John F. ![]()
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